1) How is the antagonist/clown represented to you?
Entertaining Scary Eerie Mysterious
2) Are our binary oppositions appropriate for the horror genre? (Good&Evil)
Yes No
3)Do you feel our princesses (victim's) are represented as vulnerable and innocent?
Yes No Mostly
4) How could we change the costume of the clown to conform to the horror genre even more?
5) Our trailer is in a non-linear order, do you feel this is successful for the horror genre? Why?
6)Do we include enough enigma codes? Do you feel the unanswered questions keep you engaged throughout?
7)What would you change about the mise en scene to connote fright and conform to our chosen genre?
8)Do you feel a state of equilibrium from the outset?
9)We haven't included any dialogue in our production, we used non diegetic sound including soundtracks and sound effects. Would you prefer dialogue? Why? Do you feel you would get to know the characters more personally?
10)We supported Tessa Perkins theory of representations changing and evolving. How do you feel interpretations and stereotypes of clowns are changing?
Friday, 10 March 2017
Monday, 6 March 2017
EVALUATION TEN: How have you established genre across three products?
Genre is often used by audiences
to make viewing choices and discrimination. Issues of taste, preference,
identity and pleasure are associated with particular kinds of film by
individuals. Genre is taken into account by producers as they intend to make their
product appealing to audiences. In recent years Adventure has been the most
popular genre followed by Comedy and Action. For our production, we created a
horror trailer named ‘Jokes on you’. We chose this genre as we felt it would be
the most successful when pleasing our target audience. Moreover, the actors
conform to the stereotypical idea of young vulnerable teenagers in a horror
film.
Regarding Steve Neale’s theory of
genres being created through repetition and difference, we understand that
audiences want something familiar. Genres therefore create a clear idea for
audiences about what is possible in films narrative world. In my coursework the
use of close ups of the clown could be identified as a repetitive element of
the horror genre as we want the audience to realise what the clown is and why
its presence is important.
In our production, the use of
vulnerable young teenagers, dark lighting, mysterious and tense soundtracks and
an evil sinister antagonist appropriately convey our chosen genre as the
conventions are stereotypical to horror. This reflects Barry Keith Grant’s
theory whereby genres tell familiar stories with familiar characters in
familiar situations. This means audiences usually have certain expectations due
to the experiences in which they have already accomplished. However, we have also used locations
including parks which may subvert the typical ideas of a horror film. This
reflects Robert Stam’s theory whereby he challenged whether genres really exist
or whether they are merely made up by critics as films include many different
conventions which may conform or subvert genre ideology. This explains that films
don’t have a certain genre as producers like to incorporate different meanings
to excite the audience which demonstrates hybrid genres.
Genre is important as producers
use the concept in both production and in marketing as they hope to get the
best reaction from audiences as well as creating a successful product.
Audiences tend to have a favourite genre which helps persuade them to go and
see that particular film. Fowler argues that ‘genre makes possible the
communication of content’ this means that genres help portray the narrative to
the audience making it seem useful. However, Hartley argues that ‘genes are
agents of ideological closure, as they limit the meaning’. This clarifies that
genre isn’t as important as is makes the meaning of the film less important. Overall,
I feel genre is important as audiences usually have a favourite genre and tend
to enjoy that variation of films more. This is reflected in the popularity
scale whereby Adventure is the most popular and Documentary is the least
popular.
Friday, 3 March 2017
EVALUATION EIGHT: How do you establish the narrative in your trailer? How do they work together to sell your product?
The narrative is the way different elements in a story are organised to make a meaningful story. The narrative shows the story, what happens and refers to actions, events and characters. "Chain of events in a cause effect relationship occurring in time." Argued by Bordwell & Thompson. We see our trailer through multiple viewpoints which adds suspense and as we are privy to information in which others aren't. This is known as omniscient narration. Another horror film trailer which uses this type of narration is the 1990 Stephen King inspired IT. We get to see the clown through different perceptions and individuals who interpret the clown differently. We understand that the clown appears less frightening to children at first as he lures them in with his balloon and typical stereotypes of entertaining and exciting. Adults see the clown as much more mysterious and suspicious as his costume (mise en scene) and haunting presence aren't quite right. As an audience we get to see the clown first, recognising that he is a evil clown. We become aware to information that characters in the film aren't at the beginning of the trailer.
The structure of a narrative can be linear/chronological, non-linear, cyclical or have single/multiple viewpoints. Our trailer is non linear as we didn't want it to be in a particular order. We wanted to create a state of equilibrium from the start when introducing our clown as it helps keep viewers interested and engaged. By doing this, audiences will hopefully feel connected to our trailer and want to see the fill movie in cinemas. This supports Todorov's theory of narration. I feel this challenges our audience as the non linear order introduces different parts of the film at different stages. By doing this more questions are asked including why is the clown targeting those particular girls? What significance does the record player have? Who is under the clown mask?. This reflects Roland Bathes Enigma Codes as it teaches and engages the audience through cliff hangers and unanswered questions.
In our trailer 'Jokes On You' we see Claude Levi Strauss Binary Oppositions represented through the characters of the teenagers and the clown as they are presented as 'good' compared to the 'evil' clown. He states the world is arranged in terms of oppositional forces and values. Trailers in general support this view as they typically show either Good and Evil, Hero v Heroine and Love v Hate. Our trailer demonstrates Good and Evil due to it being from the genre horror and including characters such as a victim and villain (protagonist & antagonist). Information is passed onto audiences through the mise en scene as we understand that the clown is evil due to the dark clothing and exaggerated mask it wears. By filming at night, the lighting became dark, eerie and mysterious. This then creates a tense atmosphere for the viewers and audiences. I feel the effect of the costume helps audiences understand our narrative as the harsh black clothing connotes death, scare and mystery. This then leads audiences to see our character as evil and frightening. The mask is also very successful when explaining the narrative as it has a haunting presence. Straight away you are able to see it's not a normal entertaining mask, the teeth are sharp and the tones in the wrinkles create uneasy shadows and textures.
EVALUATION SIX: How have you made your trailer seem like a trailer?
TITLES
When creating our trailer, we wanted to make it as successful as possible by conforming to the horror genre and overall, looking like a trailer. During the editing process we added titles throughout engaging audiences but also advertising and selling the trailer. To help introduce our antagonist to the audience we used titles which helped portray the idea of a clown and the eerie and mysterious stereotypes/representations. We explain that this particular clown isn't one which would bring entertainment or excitement. Our trailer is a horror so we demonstrate that he isn't one you would want to meet. We changed the 'Him' to red as it connotes blood, death and scarce, conforming to the horror genre. These are appropriate when making our product seem like a trailer as they are giving informing the audience about the plot without giving too much away. Other titles we used were to help advertise and sell the film. By including that the film has been rated 'Scariest film of 2017' by a popular magazine and that it's won 'Audience choice award' in fact persuades audiences to see the product as its been spoken about positively in the media. Lastly we use 'This spring' to tell viewers when the trailer will be out. This is important as it makes audiences aware of when they will be able to see the film if they enjoyed the trailer. We used a 'Smear' effect on the titles as a more captivating way of exiting the screen. The titles become sharp looking and look as if blood is dripping of the letters conforming to the horror genre. I feel our titles are effective when making our construct seem like a trailer as they help set the scene, explain the story and advertise the overall film.
EDITING
When editing our product, we wanted to use as many successful edits and transitions to help make it look as much like a trailer as possible. Firstly, we used a 'Smear' effect on the titles as a more captivating way of exiting the screen. The titles become sharp looking and look as if blood is dripping of the letters conforming to the horror genre. Between scenes we used either a 'Dip to black' or 'Dip to white'. The dip to black is effective as it closes the scene creating suspense and questions dud to not knowing what will happen next (Enigma codes). The dip to white is also useful when brightening up the scene subverting the general stereotypes of horror as it makes the trailer look as if something positive will happen. We used the black and white filter when showing the record player. We thought this would be useful as the tones and shadows help make the scene appear eerie and mysterious. This helps make the product look like a trailer as companies are unlikely to use filters in films as it breaks continuity. In trailers you are able to add effects and transitions to help it run smoothly whilst keeping audiences interested. We used a 'Additive Dissolve' when showing our clown as it faded into the background. This is effective as it makes it look like the clown if being presented multiple times. In a film this would't work as it would break continuity. However, in a trailer we are able to confuse the audience leaving them asking questions and mix scenes together as it doesn't have to be in order.
SOUND
To make our trailer seem like a trailer we used one main soundtrack throughout our tailer with different sound effects. We didn't include any dialogue as we thought it would look more like a opening two minutes. Mostly, non-diegetic sound used as we thought it would help make our product seem more like a trailer than anything else. Our main soundtrack was chime like conforming to the horror genre. It sounds creepy and mysterious as we wanted to portray the clown in a negative light. Sound effect include ticking as it implies the protagonist is running out of time and the clown is fast approaching. We used heavy breathing as we show our protagonists running away from the clown. This is effective as it makes the audiences feel anxious and uneasy. We have a child narration as it reflects the idea of clowns and their main purpose of entertainment for children at circuses. This appears very frightening and tense as the girl is talking very mellow and slowly. The dark scene also fits nicely as it makes it more far more compelling. We used a circus tune to reinforce the clown. The sound effect is loud and fast pace, which creates a tense atmosphere. Our sound is appropriate for a trailer as it engages audiences and fits all the scenes and jump cuts together. It also works throughout the whole of the trailer, meaning viewers aren't left feeling confused.
MISE EN SCENE
To make our product seem like a trailer, we wanted to use different locations so we could use jump cuts to portray parts of the story to the audience. We filmed in parks, residential areas, cars and houses to show different timings and days reflecting the idea of a trailer. We also filmed at daytime and nighttime to conform to the horror genre whilst showing different times of the day. This makes it seem more like a trailer as it's not like its only showing one day which is like a film or opening two minutes. For costume, our protagonists are shown wearing different outfits in different scenes. We wanted to make our trailer seem like its been recorded day by day as it looks more like a trailer. If our characters were wearing the same thing the whole time it would appear more like a opening two minutes. Our antagonist, the clown, is shown wearing the same black outfit and mask as we wanted audiences to think there is only one clown. I feel if the clown changed outfit it would look less realistic or supernatural. We also used a balloon in only one or two scenes as we thought if we used it throughout it would look too much like it's been recorded on the same day. Trailers in the real world portray people lives over numerous days/weeks/years. We wanted to make our trailer look as if it had been made over many days to help look more like a trailer. This is why we changed costume, location, props and timings/lighting.
CAMERA
We used many different camera angles including long shots to show body language and setting, close ups to show emotions, panning and establishing shots to set the scene, low angles to show power and authority and over the shoulder shots. We wanted to use as many different camera angles to help portray different moods and meanings in our trailer. The effect is successful as it makes our product look more like a trailer than an opening two minutes. In a trailer, jump cuts are usually used to change location, setting and character. By using different camera angles, audiences get different meanings and information. Trailers are made to advertise films and engage audiences. Our creation successfully does this through different camera angles as it helps show key points of the film in a short and simpler way.
THEORY
We have conformed to many theorists when creating out horror trailer. We portrayed a disruption of the equilibrium by some action when introducing the killer clown. We wanted to leave our trailer with the state of equilibrium as it engages the audience more. This supports Todorou's theory of narrative. In our trailer we have The villain who causes disruption (clown) and the princess/victim (three teenagers). This supports Vladimir Propp's theory of narrative. Binary oppositions are used in our trailer whereby we portray good and evil. The clown is the evil antagonist and the innocent protagonists are good and vulnerable. This is argued by Claude Levi-Strauss that the world is arranged in terms of oppositional forces and values. We also wanted to show Enigma codes, whereby our audiences are left with unanswered questions, tantalising and engaging them. For example, why is the clown in the park? Why are the girls at the park at night? Who is behind the clown mask? This supports Robert Bathes theory as trailers intend to leave audiences with questions as hopefully they will go and see the film when in cinemas. Our clown is represented as evil, mysterious and frightening. This supports Tessa Perkins theory whereby, truthful representations are changing and evolving. Clowns are no longer mainly stereotyped with circuses and entertainment.
Wednesday, 1 March 2017
EVALUATION FOUR: How did you use titles and how did they advertise your film in your trailer?
Firstly we created out production credits. We came up with 'Purple Lake Productions' as a distributer as we thought the photography looked mysterious and eerie, conforming to the horror genre. The additive dissolve transition is effective as it changed the image from black and white to colour. It helps build suspense and engages the audience. We named our production company 'On Track Productions' as we thought it sounded professional, bearing in mind it's original and chosen by my group. We then found a black and white 'GIF' whereby it looks as if the viewers are sat on a train travelling down the tracks. This is also in black and white as it has a more creepy and frightening effect conforming to the horror genre. We feel these production credits are appropriate when advertising our trailer as they are unique and original. They make viewers feel interested and more enticed to carry on watching and see what the trailer and companies have to offer. The imagery is also at a high standard quality making the overall product look professional and expert. The use of the ticking soundtrack is effective as it makes audiences feel they are running out of time as they are travelling up the tracks. This reflects our chosen genre as it creates a tense atmosphere and leaves viewers feeling uneasy.
Throughout our trailer we included titles to help piece together every scene. Firstly we have 'Some say that clowns'. this is interesting as it leaves the viewers questioning what the answer will be and what the trailers opinions are on clowns. They also may not know how the clown is being depicted, meaning they will carry on watching to find out. Next we have 'Aren't to be afraid of'. This one is used to show that there are two types of clowns, friendly and entertaining but also evil and murderous. I feel this is effective when advertising our film as it subverts the expectations of a horror, however creates questions and thoughts from the viewers. Furthermore, we have 'Some people haven't met him'. We used this as we wanted to narrow down the questions to one particular character. By doing this, audiences begin to realise there is only one antagonist and only one clown. We made the 'Him' red as it connotes death, blood and danger. This is effective when portraying our antagonist as evil and frightening. Lastly, we have 'And others wish they hadn't met him'. This is successful as it answers all the questions and demonstrates our antagonist as creepy and scary. It shows how the clown has a haunting presence, and isn't wanted to be seen. We have this 'Him' in red the same reasons and meanings. All the titles work well together when advertising our product as it keeps audiences interested and keen to find out what's going to happen as the titles read the story in more detail. We added a 'Smear' transition to the titles meaning they close down on screen. This conforms to the horror genre as they become sharp looking which suggests slasher, but also looks like dripping blood which suggests death and murder.
We wanted to make our trailer appear successful and popular. We included 'The scariest film of 2017-Diverse Film'. This is a quote which we took from our magazine as we wanted to link them together. The quote is appropriate as it makes our trailer seem like its extremely scary appealing to thrill seekers and people who enjoy getting scared. As our film is a horror it helps make it conform to the genre and stereotypes. I think this helps sell our trailer and we found that the majority of our target audience favour horror films and like the feeling of being tense and anxious. When reading the magazine they will be persuaded to watch the final product of 'Jokes On You'. Furthermore we have 'Winner of audience choice award 2016'. This demonstrates that our film has been chosen by audiences, viewers and members of the public as one of the most successful films of 2016. This will convince people to watch the film as if something is popular in the media, people are far more likely to go and watch that particular film. Lastly, we have 'This Spring'. This is effective when advertising our film as its giving the release date the the viewers. Once people find out when the film is being released they are more likely to remember the date and go see the product.We continued to use the 'Smear' transition as it conforms to the horror genre whilst looking like all the other titles.
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